Jesse Welles with Ratboys
Jesse Welles unassumingly upholds and continues the tradition of traveling troubadours, relaying the news, putting pain into words, and healing with a little humor. Fearless, he reports from the frontlines of a divided country on the brink, addressing inequalities and injustices, cutting through all bullshit and driving directly to the source of the matter. His songs leave the same mark in front of a sold-out club as they do under the unbiased eye of a smartphone camera as he strums his guitar alone in the wilderness of Arkansas. Following tens of millions of streams and a groundswell of acclaim from Rolling Stone, the New York Times, and more, the singer, songwriter, and guitar player cuts deep on his 2025 full-length album Middle. “Breathe to write, write to breathe,” he says. “Humans are meant to create, so I’m gonna create music and keep releasing it constantly.”
Jesse calls Ozark, AR home. Growing up, his father worked as a mechanic, and his mom a school teacher. Early on, his grandpa copied The Beatles’ White Album and Sgt. Pepper’s Lonely Hearts Club Band for Jesse. At 12-years-old, he finally scrounged up enough to dough for a “$56 first act guitar from Walmart.” It became like another limb. He fed his obsession by checking CDs out of the public library and ripping them to the family computer, embracing classics from Bob Dylan, Joni Mitchell, Joan Baez, and Woody Guthrie.
Relocating to Nashville, he launched his eponymous band Welles, releasing music and touring incessantly. He logged 280 shows in a year, canvassing North America and Europe alongside the likes of Royal Blood, Highly Suspect, Greta Van Fleet, and Dead Sara. Dropped from his old label (mid-Pandemic), he quit a job at a vegan meat manufacturer and returned to Arkansas. In February 2024, life changed again when dad suffered a heart attack. Sitting in his father’s hospital room with a Woody Guthrie biography on his lap, Jesse realized what he needed to do.
He walked into the Ozarks, placed his phone on a tripod, sang right to it, and posted the performance. The ensuing series of videos made a seismic impact online. He impressively attracted over 1 million followers on Instagram by performing tunes like “Cancer,” “Fentanyl,” and “War Isn’t Murder” out in the cold. On a creative tear, he served up two full-length albums, Hells Welles and Patchwork, and sold out successive headline tours. Capping off 2024, he railed against the corruption of the healthcare system in the powerful polemic “United Health,” which Rolling Stone hailed as “a John Prine-like ballad.”
Now, Jesse turns the page on another chapter with his new album Middle and its first single “Horses.” “It’s a pro-love song,” he notes. “Fear leads to hate. Hate leads to all kinds of atrocities. You build up walls. If you love everyone, it’s a lot easier on you—and everybody else too. Hate is a whip for the mule. Nobody gets nutrition from it.”
“If my music helps you believe you can make art and tell the world how you feel, there would be nothing better,” he leaves off. “I hope you get those paints out of the garage or fill up your journal. Turn on your phone and say what you gotta to say. There’s so much wild stuff in my head. I want to see where it can go.”
10 years ago this April — April 1st to be exact — Chicago’s Ratboys put out their first collection of songs. The RATBOY EP, consisting of five indie-folk dorm room recordings, was free to download on Bandcamp and humbly passed around to friends on social media.
Cut to 2021, and Ratboys would normally be celebrating their 10-year anniversary on the road, playing a mix of songs from their very first release to their most recent, last year’s critically-acclaimed Printer’s Devil. Instead, just two weeks after the album’s February 2020 release and mere days before heading out on their first headline tour, the COVID-19 pandemic forced all touring to a halt. Despite not being able to play in-person shows for the past year, Ratboys has managed to stay busy by performing their music online via their own Virtual Tour series and by finding a different way to celebrate their first decade of being a band.
Lots of time at home last year gave Ratboys a chance to hit the studio, which has led to Happy Birthday, Ratboy, a surprise party of a new album featuring 10 brand new recordings of the band’s earliest songs + a newly-written bonus track entitled “Go Outside.”
Although written in 2019, the lyrics of “Go Outside” take on a special sense of relevance and yearning today more than ever. “It’s this carefree and wistful, totally innocent folk song about wanting to travel and spend time with loved ones,” songwriter Julia Steiner says. “We had no idea how much it would mean to us when we wrote it, but hopefully this song will provide a light in someone’s day and help us all wait out this weird ride a little bit longer,” Julia shares.
Released as a surprise on April 1st, 2021, Happy Birthday, Ratboy comes 10 years to the day since the release of the band’s first EP. New recordings of the 5 original RATBOY EP songs make up the A-side of the record, with 5 new versions of rare college-era tracks and the newly-written “Go Outside” on the B-side.
Featuring mainstays from their live show over the years, including “The Stanza” and “Space Blows,” pressed to vinyl for the first time and given the full band treatment, Happy Birthday, Ratboy introduces new Ratboys fans to the band’s beginnings while also raising a toast to those who’ve been there from the start.